Mandolin Build: French Polish Neck

(Prev: Bridge)

Looking at the back view you can see the shine of the shellac across the back and up the neck. The necks are neat because the maple’s grain really “pops” when the finish is applied.

Most necks are left unfinished because of shellac’s solubility issues with water (or perspiration). I finished my neck just […]

Mandolin Build: French Polish Back

(Prev: 15th Fret Marker)

Again, French polish on the back, but far easier to apply – nothing’s in the way!

The box in the background of the picture is the pumice stone, the small glass jar holds the mixed shellac and the small plastic container keeps the “rubber” moist when not in use.

(Next: Headstock)

Mandolin Build: French Polish Side

(Prev: Fret Board Inlay)

Here’s a good look at the side of mandolin #1. I figured I’d go for broke and try installing a rosewood binding. This has to be done with care – take too much off the body and the sanding process relieves too much material, leaving the side too thin in some […]

Mandolin Build: French Polish Top

This is the first time I’ve attempted a French polish on an instrument. French polish is simply a term for shellac. The shellac is purchased in a dry, crystal form and Everclear grain alcohol (190 proof) is added to a set weight of the shellac as a catalyst to dissolve the crystals. Under normal […]